In the composite fraud, or pastiche, the forger combines copies of various parts of another artist’s work to form a new composition and adds a few connecting elements of his own to make it a convincing presentation. This type of forgery is more difficult to detect than the copy. Such a combining of various elements from different pieces can be very deceptive, because a creative artist often borrows from his own work. In fact, the similarity of a figure or an object in a forgery to that in a well-known work of art often adds to the believability of the new creation.
← The crate went through customs with a valuation of $100, though it contained Basquiat’s 1982 painting Hannibal (commodities valued under $200 aren’t required to be declared at customs.) The painting had been bought and shipped by Brazilian Banker Edemar cid Ferreira in an elaborate scheme to launder over $50 million that was illegally obtained when Ferreira’s bank, Banco Santos, went bankrupt.

IN Queens, a guy working in his garage churned out “Pollocks” and “Rothkos” that fooled the experts, sold for millions of dollars and helped destroy the Knoedler & Company gallery, as we learned in recent months. In China, thousands of artisans have forged the country’s artistic treasures, both ancient and modern, according to a report in The New York Times.


On the night of St Patrick's Day in 1990 when the attention of Boston was focused elsewhere, thieves entered the Isabella Stewart Gardner Museum and made off with art valued at $500 million, including three Rembrandts, one of only 34 known paintings by Vermeer, and works by Manet and Degas. Because the eccentric Isabella insisted in her will that nothing be changed in the museum (nothing!), the empty frames remain on the walls as a sad reminder of what has been lost.
Art history, historical study of the visual arts, being concerned with identifying, classifying, describing, evaluating, interpreting, and understanding the art products and historic development of the fields of painting, sculpture, architecture, the decorative arts, drawing, printmaking, photography, interior design, etc. Art historical research has two primary concerns.…

Forgers of older artworks sometimes attempt to override forensic methods by using or plausibly imitating authentic materials. One of the best-known cases is that of forger Han van Meegeren, who used a modern paint mixture but mimicked an older technique to a sufficient degree that his paintings were certified, as he intended, as originals by the 17th-century Dutch master Johannes Vermeer. Even though further testing can reveal that a paint’s age has been masked, museums and collectors often simply accept initial results.
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